Tag: Sand Dollar: A Story of Undying Love

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Sand Dollar: A Story of Undying Love by Sebastian Cole

Hi everyone! In my last post I shared part of my journey to pinpoint the genre term publishers and agents might use to describe the book I’ve written, The Lighthouse Legacy. ( In case you wondered, I concluded it is upmarket fiction with a crossover to the women’s fiction market.)

Anyhoo – while researching, I came across a book that has romance using a male protagonist, like my novel. (Not a common thing, apparently). It isn’t chick lit ( a real publisher term, by the way) and it isn’t women’s fiction (because of the male protagonist).  Sebastian Cole, the author, labels Sand Dollar: A Story of Undying Love as romance fantasy (as in events happen outside our idea of reality, not as in “sexy”). Ok, so it doesn’t match my novel’s genre, but I had to read it to find that out. I’m glad I did.  I still think about the characters months after reading the book.

This story is told in retrospect by an 80-year-old Noah to Josh, a hospital orderly. (Yes, I believe the character is meant as a nod to Nicholas Sparks’s Noah in The Notebook.) In his 30’s, Noah seems to have everything a person could want – a nice car, a secure, well-paying job in his father’s company, and a great beach house. What Noah doesn’t have is his soul mate.

When he meets Robin, he is enticed by her free spirit. His parents, however, don’t see her as a good fit, so they exercise their strong control over his life by threatening his future in the family business. Due to both his inability to break away from his parents’ control and Robin’s own issues with staying in a relationship, they find each other and lose each other several times. In time he discovers that Robin’s issues revolve around a childhood trauma which brought on Borderline Personality Disorder.  All his attempts to fix their relationship fail. Although he loves Robin, he realizes it’s time to move on with his life. Just as Noah is preparing to marry Sarah, a woman who is more his friend than soul mate, Robin arrives at the church to interrupt the wedding.

Robin could be too late to save their relationship. Besides his fiance waiting at the altar, Noah must also consider his position in the family business. Sarah is the safe option. Which road will he choose and can he find true happiness in his decision?

The end of the story returns to 80-year-old Noah as he continues to tell his story to Josh in the hospital. All the people he has loved are standing around his death bed, so we still don’t know what choice Noah made on that wedding day. The author gradually reveals the choice. As a reader, I felt content with the ending.

I loved the story and the characters, but occasionally the time period of the scene or the organization of the story was confusing. The symbolism also seemed a bit heavy-handed. While the story is original, at times I felt it pulled ideas from The Notebook too much.  Having said that, Cole’s character of Noah has stayed with me. He felt like a friend I didn’t want to say goodbye to.

Sand Dollar: A Story of Undying Love by Sebastian Cole has earned several awards. In 2012  ForeWard Reviews Book of the Year named it their bronze winner, Feathered Quill Book Awards awarded Sand Dollar as their silver winner, and it was a USA Best Book Awards finalist, just to name a few. I give it 4 out of 5 stars.

 

 

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The Genre Game

Hi Shells! Thanks for opening my post today. I hope you are enjoying my blogs. Please share with your friends and family. The more, the merrier! Anyone can go to robinshelley.com and sign up to get my blog sent directly to their email box. Your support is much appreciated!

Over the last few years I’ve been learning about the publishing world so I can make an educated plan of attack to get my book published. To publish in the traditional way (not self-publish), I need to find an agent who believes in  my writing and my book. When approaching agents, one thing they want to know is the book’s genre. That sounds like an easy request, but not all novels are cut and dry. It’s actually a deeper topic than it first appears for identifying my novel, The Lighthouse Legacy.

Let’s start analyzing:  It’s fiction. That’s easy. It has romance in it, but it isn’t a romance book. Still, women readers will be attracted to this story which includes romance. The protagonist strives to overcome his past to become a better person because of the woman he’s falling for. Ahhh, it must be women’s fiction, right? Wrong. Apparently this isn’t the normal formula for women’s fiction. People in the industry argue that women’s fiction must have a female protagonist. Go figure!

Ok, well . . . The Lighthouse Legacy centers around Ryan, a male protagonist, who must break a family cycle to find success in love again. It’s his journey, and yet this multi-generational story is so much more. Ryan arrives in Port Morgan to learn about his grandfather who was a lighthouse keeper there. Through his interest in his family’s past, Ryan meets Kate, a shop owner and local history junkie. She discovers a journal written by Ryan’s grandfather. As they follow up on stories in the journal, Kate and Ryan build a relationship. Together they investigate unanswered questions about a moonshine rivalry during prohibition, his grandfather’s death, and an antique necklace. Meanwhile, when a rich developer wants to force Kate out of business, Ryan tries to fix the situation for her. Plenty for both women and men to enjoy!

During my research to identify the genre, I kept believing my novel was women’s fiction. I went looking for well-written and well-received books that would prove that women’s fiction can have a male protagonist. That’s how I stumbled upon Sand Dollar: A Story of Undying Love by Sebastian Cole. Unfortunately he doesn’t label his book as women’s fiction. He considers his book romantic fantasy. So does that mean my novel is romantic reality? Is there such a genre? Silly, right? It just shows how hard it is to wrap my head around this genre debate.

After reading Sand Dollar and writing The Lighthouse Legacy, I don’t see why male protagonists aren’t in more stories with romantic elements. A male character can be strong while also having a vulnerable side due to love. After all, isn’t that what women are looking for in a mate?

Yes, the industry looks for a female protagonist for women’s fiction, but I continue to wonder why it can’t include male protagonists who are made better by a good woman. Don’t most women think their guy is a better man because of her influence in his life? Wouldn’t women want to read about a man who overcomes for his woman?

 What do you think? Can women’s fiction have a male protagonist?  Would that turn you off or doesn’t it matter to you? Let me know your thoughts.

Finally, after much deliberation, I’ve decided my book isn’t women’s fiction.  Nope. It’s upmarket fiction with a crossover to the women’s fiction market (at least until someone in the industry tells me otherwise!)  Upmarket novels lie somewhere between the commercial and literary genres. These books appeal to readers who want a high quality and complexity of writing but also look for strong characters and plot. 

Okay, I’ll stop my ranting now.  But since I read it for research, my next post will be the book review of Sand Dollar: A Story of Undying Love by Sebastian Cole. Look for it coming to your email box soon!